Nancy's Silk Skirt Gets a New Lease on Life

Seven years ago, Nancy brought me a wonderful silk georgette skirt.  She wanted it used to create and ballroom costume and we decided that costume could be both a rhythm gown and a smooth dress, by making the skirt removable.  It was her first ballroom costume collaboration and the results were good!  This is the rhythm dress we created, and the skirt pulled on underneath the dress to convert it to a ballgown.

I wish I had taken a photo of the skirt alone, before I incorporated it into Nancy's new ball gown, but I did not manage to do that.  I did take a quick shot of the embellished leotard with the skirt before it was assembled into the new gown, so you can see the relationship in the graphics.

AND I can show you the skirt in its new configuration!



In both cases, the embellishment details for the gowns were suggested by the graphic design in the skirt.  The first was a simpler, brighter, bronze level result,  and the new one is, for me, a WOW! 

My partner Michele and I debated and sampled several different processes to recreate the graphic on Nancy's new French Vanilla leotard base.  We knew we wanted the lines to be defined in the same way as they were on the skirt and then embellished with jet stones and flatback pearls.  After testing appliqued strips of black fabric, and the meticulous application of black permanent fabric marker, we decided that the latter had the most similar visual effect to that of the skirt.  After careful design and planning, and much pre-washing of the red lycra to avoid any post process color bleeding, we were very plesed with our results!

This is certainly the gown of a more advanced and more experienced dancer, one who knows she will be seen, even in black.  And a more elegant and serious look than the original.  When she picked up her gown, she brought in a Light Siam choker style necklace and bangles I had made for another costume of hers, and they looked perfect!

I am really wishing I could be at the Arthur Murray Showcase this weekend to see Nancy, Christy, and also Linda, who has a new Gently Used Rhythm Gown dance, but I will be at MN Star Ball on the other end of town.  I hope you will make it to one event or the other, and I hope anyone at the Arthur Murray showcase with a digital camera might send me a few images to keep me posted on what I am missing!  Good luck to you, my lovely ladies!

A Bouquet of Roses for Tracy

This gown was actually begun in 2011, when our client Tracy was headed for the Ohio Star Ball.  Unfortunately, life intervened, and Tracy put the gown on hold for several months while finding a new job.  When she phoned to let us know we could begin again, we were thrilled, both for Tracy, and because this was a gown we were excited to make!

Tracy is a super-organized woman, and when she brings me her inspiration images, they are always in page protectors and  she usually has clear ideas about what she wants.  See???

When I look a this array, I see, shades of pink, floral imagery, and prints, but my eye keeps returning to the upper left image of the cut-metal bowl.  I loved how the graphic repeated and how it referenced "rose" without being specifically detailed.  I also really liked the visual importance of the negative space in recognizing the image.  Tracy is is feminine woman, and although she liked the floral imagery, she did not want silk flowers or anything three-dimensional, or even a print.  She was also interested in clean lines, simple shapes and lots of sparkle  I think there was also a buckled leather cuff with chain that she brought in.  So all these ideas poured into the creative hopper, and out came rhinestoned belts and buckles and a figure-ground reversal floral pattern imagery, to be created in rhinestones on the gown bodice.

I experimented with the graphic in the bowl, but didn't like how it expanded and contracted, so I found another using Google images from Sweet Clip Art that I thought was perfect.  I got permission from the artist who created it, who was very charming and wanted to see what I did with her image when I was finished.

I  blew it up.  I contracted it.  And then I designed vines to go with it, and a rose bud.  The darn bud reminded me of the Hallmark logo a bit, but I found, turned sideways, it was less offensive and so used it careful only on angles.

I find the back very pleasing with it's pretty drape to balance the gentleman's hand on the dancer's left side and provide a bit of softness and movement.  I also like the placement of buckles, two at the front opposite sides, and the one center back.

We also had lots of fun creating the bangle bracelets for this gown, using many different patterns and ideas.

I'm pleased with the end result and I hope Tracy will be too.  She wore it at Minnesota Madness last weekend and I was thrilled to see it (and Tracy!) in action.  It's sophisticated and beautiful, as is she!